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At any given time I have between two and twelve ideas for projects
being devised on visual language research. More realistically,
I'm usually engaged in a few at a time. Much of my previous
research has been in developing theory pertaining to various
issues related to visual language. While I am consistently doing
theoretical work, recently my focus has shifted to putting these
theories to the test. So, I am trying to work on projects involving
the collection of data, both from source materials and psychological
experimentation.
If you are
working on similarly related research, or would like to do work
of this nature, I encourage you to contact
me.
Visual
Language Grammar
My main
project in visual langauge research has always been exploring
how sequences of images create meaning in the
mind, and as a graduate student at Tufts University it is now
my primary focus. I am primarily interested in developing a
model for how such competance is structured, the nature of its
comprehension, and how that system relates to other cognitive
domains like verbal discourse and narrative, event structure,
and even musical cognition.

For
example, does this sequence feel "good" or "bad"
to you? ...or both??
Previous
research on this topic:
Early
Writings on Visual Language (book)
Visual
Syntactic Structures (click for pdf)
Sequential
Images Reference Bibliography
Visual
Language Typology
This project
involves coding and analyzing the properties of various "comics"
from around the world to distinguish the diverse range of potential
structures found in graphic expression. For example, are
there universals across cultures' visual languages? Are there
significant differences? Are there consistent types of panels
used in visual languages? What are the conventional
signs and symbols used in differing cultures' comics, and
how can they be categorized? Etc...
Previous
research on this topic:
Cross
Cultural Space (click for pdf)
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projects have already benefited from generous donations of comics
from a variety of publishers, and I welcome
more contributions if your company would like to participate
(especially with international works!). Publishers will be thanked
in the acknowledgements of any paper that uses their resources,
and any data culled will be provided upon request. Publishers who
have aided this research include: Dark
Horse Comics, Drawn
& Quarterly, First
Second Books, IDW
Publishing, Fantagraphics
Books, Oni
Press, Top
Cow, Top
Shelf, and Viz
Media. Their support is greatly appreciated! |
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